Thinking About Music, Stories, and Author’s Voice

I've been thinking a lot about music, and how it influences emotion in movies. How do we as book authors do this same in our fiction? How do we capture music in the written word?

It is Accomplished!

The final final draft is officially delivered to my publisher! Here we go again. This post is an update to this one, which updated this one, which was in turn an update to this one. It's always good to remind the audience of the previous episode before diving into the new one. Makeup Test has been delivered … Continue reading It is Accomplished!

On (finally!) Delivering an Overdue Manuscript and Thinking About What’s Funny

This post is mostly an update to this one from earlier in the week. At that point, I was close to delivering the revised draft of Makeup Test: A Rom-Com Winter Tale. At this point, I have done so. What I think is probably the last major draft is now in the hands of my … Continue reading On (finally!) Delivering an Overdue Manuscript and Thinking About What’s Funny

Can Fantasy be Myth? Mythopoeia and “The Lord of the Rings”

Speaking for myself, it’s not too much of an exaggeration to call reading The Lord of the Rings for the first time way back in the fifth grade a life-changing experience. Tolkien’s trilogy led directly to my own life-long love of stories and mythology. I can’t help wondering if, without that experience in my childhood, I would have written a novel of my own. I may well have, but I don’t think it would be as myth-infused as Raven Wakes the World. In short, my experience of reading The Lord of the Rings, like that of so very many other readers through the decades, was the kind that changes a person for all time, or at least inspires a life direction — and for me at least, even a sort of pilgrimage. That’s the type of response that one usually has only to the most significant, the most sacred stories — the cultural heritage of truth disguised as narrative that serves as a guide through the dark forests of life. In short, myth.

Food for thought … can the old pulp heroes of yesterday work in a contemporary setting?

My love for the old pulp heroes — characters like Tarzan, Doc Savage, Professor Challenger, and the Shadow — came early, and when it took hold, it never let go. First loves are like that. It started, like so many of my early loves, on Saturday morning. I was watching TV with my dad — … Continue reading Food for thought … can the old pulp heroes of yesterday work in a contemporary setting?

In which I am interviewed on writing and marketing, I write about Renaissance fairs and setting as a “character” in a story, and prepare to write about the old pulp heroes of yesteryear

In which I am interviewed on writing and marketing, I write about Renaissance fairs and setting as a “character” in a story, and prepare to write about the pulps

Musing on Some Elements that Work in Fantasy, Part Two: Iconic Imagery

As we build the ePic Books brand, we're focusing on a single genre (or range of subgenres, I guess), at least for the first year or two: fantasy. A part of our strategy involves looking for certain elements that the very best and most successful fantasies—I'm talking the classics, the most beloved and enduring works that stand out, across years and even generations. One of those elements, Iconic Imagery, is very closely related to the Iconic Locations detailed in Part One.

Great first sentences in literature

As both a reader and a writer, I've come to appreciate the power of a truly excellent first sentence. I don't think it's a coincidence that some of the most memorable and best-loved books ever written have truly amazing first sentences. In many cases, you can name the book just from the power of those all-important opening words. Think of Melville's "Call Me Ishmael," or Dickens's "It was the best of times, it was the worst of times." Classic. Unforgettable. Here are fifteen of my very favorites. Trust me, every single one of these books lives up to the promise of that first sentence.