On Making Clichés Feel Fresh (When You Can’t Avoid Them)

I haven't conducted any scientifically-valid surveys or research, but I'm nonetheless willing to bet that, at some point in their careers, every budding writer has been taught to avoid clichés like the plague. When a phrase has been used so often that it's lost all impact, well, it no longer has impact, and the writing comes across as lazy and unoriginal. Those are not great selling points and they don't engage readers. So let’s grab the bull by the horns and think outside the box so we can figure out how to avoid clichés, which I honestly think has been a problem since the dawn of time.

Okay, So, I’m a Wee Bit Behind on the ’ol Book Updates

One of the reasons I started this blog in the first place was to keep all y'all updated on my various projects, and to keep myself accountable. The good news is, I've made tremendous progress on the writing projects. The bad news is, I was so focused that the blog slipped a bit.

On Creating a Main Character . . . When you can’t give the reader any obvious information about that character

I firmly believe that character is the most important part of a novel. That's the hill I'll die on. Plot keeps us turning the pages, setting immerses us, but character makes us care. If you're racking your brain for story idea, character is a terrific place to start. Of course, developing a compelling character is easier said than done. There are, however, some tricks that can help you. So what happens if you can't use some of the obvious tools?

New Book!

I just added a new book to my author site! This one is called Incandescent: A Winter Tale of Blackthorne Faire, and it's the next in my series of winter tales—short, sort of holiday-adjacent books meant to be read in just a sitting or two, ideally under a blanket by the fire, with a mug of something warm. This book will be available wherever fine books are sold in early November.

Book Updates: One Out, One (Slightly) Delayed, Two Polished, and Two Underway

So, it's been a pretty momentous month—it always is when one launches a new book out into the world. It never, ever gets old and I am way beyond thrilled. And I have many more projects in the hopper!

Writing Update: It’s Book Launch Time!

Next week—Tuesday, November 14 to be precise—my next novel, Make Up Test: A Rom-Com Winter Tale, meets the world for the first time. This time, it's launching with a very special Limited and Numbered edition.

I’m Not Making Progress: In which I offer an update on the projects I’m NOT (yet!) working on

In my last blog article, I updated all y'all on all the many writing projects I'm working on currently. What I didn't talk about was all the projects I'm not working on. Well, I guess technically that list would be infinite, but I mean specifically the ideas that are stirring around rather urgently in my head, that I haven't been able to let go of, but for which I haven't written more than the occasional note.

I’m Making Progress! In Which I Offer Another Book Update

One of the reasons I started this blog was to chronicle my journey as a writer and, I like to hope, to pass along some of the things I've learned. I also intended to hold myself accountable and present updates on all my works in progress. I haven't been too great about that last part, … Continue reading I’m Making Progress! In Which I Offer Another Book Update

Ideas are easy; stories are hard

I didn't learn a lot from meeting the late, great Wylly Folk St. John, but I sure did from reading her books. When I was in the third or fourth grade, I met a professional author for the first time. It happened to be one of my very favorites, Wylly Folk St. John, who was … Continue reading Ideas are easy; stories are hard

If you want to write, read!

I've wanted to write since (at least) the third grade. My urges to become an astronaut or a dinosaur-seeking paleontologist faded (although my love for astronauts, space exploration, and dinosaurs remains undimmed), but my longing to create stories never did. In fact, I can still remember the exact books that made me want to make … Continue reading If you want to write, read!

On Using Someone Else’s Characters in a Story

Spoiler Alert: William Shakespeare's Juliet is probably going to turn up in one of my novels—the Winter Tale that I'm starting to work on now. As a rule, I am not a huge fan of using someone else's characters in a story. That said, rules are meant to be broken and all that. So (spoiler … Continue reading On Using Someone Else’s Characters in a Story

Novelists: Where Do You Begin a Story?

I have a talk I give on writing called The Storyteller's Toolbox. I've given versions of it at Georgia Tech, Georgia State University, the CONjuration fantasy fan convention, the Broadleaf Writers Conference, and a few other places like that. There's a video version online. One of the questions that just about always comes up is … Continue reading Novelists: Where Do You Begin a Story?

Thinking About Music, Stories, and Author’s Voice

I've been thinking a lot about music, and how it influences emotion in movies. How do we as book authors do this same in our fiction? How do we capture music in the written word?

It is Accomplished!

The final final draft is officially delivered to my publisher! Here we go again. This post is an update to this one, which updated this one, which was in turn an update to this one. It's always good to remind the audience of the previous episode before diving into the new one. Makeup Test has been delivered … Continue reading It is Accomplished!

Book Updates

So, y'all. This blog was meant to talk about my journey as an author (hence the title), which to be frank I haven't done a lot of. So every month or so, I'll let you all know where I am with everything that's in the works. The Winter Tales As most of you know, I've … Continue reading Book Updates

Who are your book grandparents?

Professors Tolkien and Lewis So, fellow authors. My publisher, business partner, friend, and fellow author Lou Aronica and I have been talking about a theory I have. See, we all carry our ancestors with us in the attics of our brains as surely as we do in the spiraling chains of knowledge that make up … Continue reading Who are your book grandparents?

Love and comfort in fantasy, or why George R. R. Martin isn’t the American Tolkien

I often hear Mr. Martin called "The American Tolkien." I can see why people say that. Both write (or wrote) extremely complex fantasy novels, both have very passionate fan bases (with a great deal of overlap), both have created British Isles-inspired worlds rich with invented history and languages, and, well, both authors have the initials "R. R." in their names.

But honestly, I think the resemblance ends there. The similarities are superficial at best.

Book Review: City of Dark Magic by Magnus Flyte

The Prague of City of Dark Magic is a city steeped in legends of magic, a history of blood, and a legacy of secrets. It has been home to geniuses and eccentrics. It is also a city of secrets as music student Sarah Weston discovers. Sarah has come to the Prague Castle for the summer with a team of colorful academics to restore the Lubkowicz Palace to its former glory and turn it into a museum filled with centuries old treasures. There, she finds clues that might finally unravel the mystery of Beethoven's famous immortal beloved. What follows is a tale of mystery, politics, murder, a time traveling prince, a centuries-old dwarf, and even a portal to hell. Yes, and its a romantic comedy. This isn't a book that follows genre conventions, it lays them out like toys and plays with them.

Book Review: “The Night Circus” by Erin Morgenstern

Wow, the last quarter of 2011 has been a grand one for books. Erin Morgenstern's lovely and haunting The Night Circus continues a string of truly good reads that began with Among Others and The Magician King. It's a book I'll be thinking about for a while, and one I'll alms certainly read again some day ... something increasingly rare when my to-be-read stack reaches the ceiling. It's certainly one I'll be pushing on my friends. It's one that I can recommend to a wide swath of them, because The Night Circus will appeal to a very broad range of tastes. It's romantic, it's mysterious, it's evocative (certainly that!), magical, it's lovely, and it's (at times) heartbreaking. And it's almost impossible to describe. I wanted to rush through The Night Circus, and I wanted to savor every word. I couldn't wait to get to the end; I wanted it to go on forever.

Belated Book Review: “Jonathan Strange and Mr. Norrell” by Susanna Clarke

If there was ever a book I truly don't know what to say about, it's Jonathan Strange and Mr. Norrell. Don't get me wrong—I adored it. I've recommended it to dozens of my friends. But not all of them. I don't even recommend it to all of my friends who like fantasy, or mythic fiction, or British drawing room comedies of manners. It's a massive book, something like 400,000 thousand words (that's a guess; I haven't actually counted them). Nonetheless, I found myself enchanted from page one. Magic and sly witticisms were so thick I had to swat them away like flies, and the oh-so-English narrative delighted me. The characters are engaging and well-drawn, and the period voice, complete with obsolete spellings and elaborate, fanciful footnotes (don't dare skip them!) delighted me. All the same, when I was nearly halfway through, I found myself still wondering when the actual story was going to get started. It had been going all along, but Ms. Clarke, like any good magician, had distracted my attention.

Book Review of something utterly new, strange, and powerful: “The Orange Eats Creeps”

It makes me uncomfortable to picture Grace Krilanovich crafting The Orange Eats Creeps. I get these fleeting, nightmarish image of a young woman, wild-eyed and too thin, scrawling the words on the underside of a bridge somewhere, or on the walls of the kind of bar I'd be afraid to enter, even if I was cool enough to know how to find it. I picture her mainlining caffeine laced with meth, or something, some drug I've read about in newspapers, not for stimulation but to dull the fire of stranger substances screaming though her veins like electricity. Because you see, witnessing the birth of an new kind of literature, a utterly new way to pound and twist blocks of English into something mind-blastingly fresh, is a little frightening.

Book Review: “The Meaning of Night” by Michael Cox

A few months ago, I wrote a blog post listing my fifteen favorite first sentences in literature. At the time, I hadn't read Michael Cox's The Meaning of Night: A Confession, or I would have been forced to give serious consideration to including it. It begins: After killing the red-haired man, I took myself off to Quinn's for an Oyster Supper. Now that's a pretty good start. It's an opening that hooks us immediately on the story, certainly. It's hard not to wonder what's going to follow that. More, it hooks us on character—who is this narrator, and how can he describe an act of terrible violence in such a casual manner? I'm happy to report that the book lives up to the promise of that first sentence. It is a dark, chilling read, and an utterly compelling one.

“The Angel’s Game” by Carlos Ruiz Zafón

Yesterday, I reviewed Carlos Ruiz Zafón's brilliant novel, The Shadow of the Wind. Continuing with the "holy crap this is good" theme, today I'm taking a look at his follow up, The Angel's Game. While both The Shadow of the Wind and The Angel's Game are completely stand-alone novels, they are subtly connected. The two novels both a part of what Zafón says will eventually be a four-book cycle of loosely connected stories with overlapping narratives and characters. While either can be read alone, reading both makes each a deeper and richer experience. In fact, I read The Angel's Game at the same time that my wife Carol and I were reading The Shadow of the Wind aloud to one one another, a strange and wonderful experience.

The Shadow of the Wind by Carlos Ruiz Zafón

I've wanted to review Carlos Ruiz Zafón's brilliant and lovely The Shadow of the Wind for a while now. I've hesitated largely because I needed to think of something to say other than simply, holy crap this is good! I first read the book back when it was first published in the United States—it was already a best seller in Europe—about four years ago or so. Over the holidays, faced with some sixteen hours in the car with two trips to Morristown Tennessee and Birmingham, Alabama, my wife and I decided to take turns reading it aloud to each other. I wondered, frankly, if it could possibly be as good as I remembered. It was. No, wait. It was even better.

“Last Night in Twisted River” by John Irving

I am happy to report that Last Night in Twisted River is the product of an author completely unafraid to brave the danger plunge deeply into the river that twists through his own psyche. The journey, part Twain, part Dickens, and all Irving, is one well worth taking.

Great first sentences in literature

As both a reader and a writer, I've come to appreciate the power of a truly excellent first sentence. I don't think it's a coincidence that some of the most memorable and best-loved books ever written have truly amazing first sentences. In many cases, you can name the book just from the power of those all-important opening words. Think of Melville's "Call Me Ishmael," or Dickens's "It was the best of times, it was the worst of times." Classic. Unforgettable. Here are fifteen of my very favorites. Trust me, every single one of these books lives up to the promise of that first sentence.

“The Magician’s Book: A Skeptic’s Adventures in Narnia” by Laura Miller

I am nobody's skeptic. As a matter of fact, I consider myself very, if hardly conventionally, religious. That said, I read Salon co-founder Laura Miller's The Magician's Book: A Skeptic's Adventures in Narnia with a constant grin on my face, as passage after passage made me cry out with delight, "friend!" Here is someone who seems to not only understand the love I felt for C. S. Lewis's The Chronicles of Narnia, a love that still endures very deeply in my heart, but also my love of stories and reading. Indeed, she helped me understand that love better, and by consequence, the person I am and the writer I want to be.

“The Magicians” by Lev Grossman

When I first browsed through Lev Grossman's The Magicians at Blue Elephant Bookshop, I knew it was a book that was coming home with me. The jacket blurb promised a book for adults who, as young readers, had adored the Narnia, Oz, and Harry Potter stories, and books like T. H. White's The Once and Future King. And indeed, The Magicians draws liberally and lovingly from those sources. There is a magic school filled with eccentric professors and strange wonders, teaching by turning students into animals (as Merlyn does with the Wart in The Once and Future King), and even a hidden fantasy world accessed through a sleepy "between" world filled with pools, a motif familiar to anyone who has read C. S. Lewis' The Magician's Nephew, one of the best of the Narnia books. Even the characters in The Magicians grew up reading and loving a series of fantasy books. That fond, nostalgic love is one of the reasons we are so drawn to them. But don't get the idea that The Magicians is a mere pastiche. The Magicians is told from a decided, utterly (even ironically) original, and heartbreaking, adult point of view.

“Silverlock” by John Myers Myers

In his introduction to the 1979 paperback edition of Silverlock (I still have my first 1979 Ace paperback, as well as a hardcover first edition and a lovely new hardback that includes the Companion), author Larry Niven enthuses: “You’ll get drunk on Silverlock. When you finish reading, you will feel like you got monumentally drunk with your oldest friends; you sang songs and told truth and lies all night or all week; you’ll sit there grinning at nothing and wondering why there isn’t any hangover.” I couldn’t agree more.

Two books (that aren’t quite) within other books

It's a joy to discover, after the last page of a good book is turned, that there is still more content to discover. Especially when the storytellers have the talent of Alice Hoffman and Catherynne Valente. This kind of expanded "book within a book" content is a trend I applaud enthusiastically. I hope we'll see more.

“The Third Angel” by Alice Hoffman

In The Third Angel, Alice Hoffman's prose is as lovely as ever. She is a master of a sudden and lyrical turn of phrase that seems as effortlessly graceful as a dancer's casual step. Every line has magic and poetry in it, the kind that makes you smile and, more than occasionally, look back to reread a phrase or passage. An example: "It was that silver-colored time between night and morning, when the sky is still dark, but lights are flicking on all over the city. It was quiet, the way it is in winter when snow first begins to fall." How perfectly and specifically evocative, concrete detail spun from froth and lace, and without a wasted syllable! Her prose has always been elegant, the way Earthbound angels would write, and she only gets better.

In Good Company: “The Company They Keep” by Diana Pavlac Glyer

Until the publication of Diana Pavlac Glyer’s new book The Company The Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community, I hadn’t realized how strong was my urge to be a “completist.” A new book out on the Inklings? By all means, I had to have it, period. This is fortunate, because if I paused to remind myself that I’d already read Humphrey Carpenter’s superb biography The Inklings, and then to ask if I really, really needed another book on the subject, the rational part of my brain might have said “no,” and (it’s not completely impossible) might have carried the day. And that would have been too darn bad. Glyer’s book makes a wonderful companion to Carpenter’s more well known volume, and stands very well on its own. Carpenter’s book is a biography; Glyer’s is an examination of the very significant ways in which, as a community, the Inkings challenged, inspired, influenced, and supported one another. The Company The Keep is a terrific and insightful read.

“Coyote Moon” By John A. Miller

As fond as I am of trickster tales, it's hard to imagine anything with a title like Coyote Moon can be anything other than mythic. Coyote Moon doesn't have a lot to do with coyotes, or even with tricksters (although I have a feeling that author John Miller himself may qualify), but the novel is certainly mythic. First, baseball plays a major role in the story. As the brilliant book Ground Rules: Baseball and Myth shows, baseball is a goldmine for mythic material. Add in liberal doses of cutting edge physics (if you're not up on your science, don't worry), possible reincarnation, and the search for meaning and miracles, and the result is a myth lover's delight.